Discuss the concept of a national film identity in the context of Irish film. Referencing at least four Irish films by different directors.
Discuss the argument that Irish film is caught between a romanticized notion of the landscape of Ireland and violence in the context of Irish films from the 1970s. Referencing at least four Irish films from the period.
Discuss the impact of the re-establishment of the Irish Film Board on Irish cinema and Irish films since the 1990s. Reference at least four Irish films in your argument.
The genre has become an overly important narrative tool in Irish films since 2000. Discuss the implication of this statement arguing for or against referencing at least four Irish films in your argument.
Discuss the statement from RuthBarton that “the burden of tradition still hangs heavily over Irish screen images of women” in relation to the work of at least two Irish filmmakers. Reference at least four Irish films in your argument.
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